Kuzu no Honkai Anime Review:
When someone considers themselves or others to be connoisseurs of any storytelling media, there are specific prerequisites expected from that individual that's usually understood without the need to outright state it. These factors can include being well-versed with different genres within the medium in question, to more demanding things, like understanding the construct in which the medium expresses its ideas. But out of all these unspoken base requirements, I think the most important one is something that's usually acknowledged but often taken for granted. That something in question is a hands-on understanding of the subject matter itself.
Without that attribute, an exhausted catalog of literary knowledge and understanding of narrative tools is rendered almost pointless. Being book smart amounts to nothing without practical experience, or at the very least, first-hand encounters. Think of it this way, knowing about an archetype or trope is only as valuable as understanding what worldly influence caused it to exist, to begin with. Anyone can comprehend a creator's intent all day, but without an inkling of relation to it, all diegetic information could only be taken for what it is at face value.
Now, with that in mind, it's time to take a quick litmus test; ladies and gentlemen, Kuzu no Honkai (Scum's Wish) is average.
Quickly, what was your initial thought after reading that statement? Did you think that was an outlandish claim to make? That Scum's Wish is far from average and that the claim made was purposefully contrarian or, for the lack of a better word, attention-seeking? How can an anime that explore sexual decadents with such unfiltered restraint be considered "average" by any means? Most relationship anime don't even get past first base, so how can that claim be justified?
If you've already come to a similar conclusion regarding Scum's Wish before reading my statement, bear with me, as for everyone else that possibly rattled off something similar to the aforementioned thought process, time to explain why.
One Tree Hill, Gossip Girl, The O.C, Dawson's Creek, 90210, Pretty Little Liars, Gilmore Girls; what do these live-action TV shows have in common? Well, for one, they're centered around teens or young adults dealing with relationship drama in very exaggerated ways. And secondly, and perhaps more important as well, they're usually understood by most astute viewers to be conventional television programming. No critical thinker or demanding viewer worth their salt is singing high praises about these shows. The reason why is pretty simple, apart from being well-cultured in several different mediums that is. The discernment for shows of this ilk ties back to that essential requirement I mentioned: having hands-on experience.
If your firsthand encounter with the drama Scum's Wish wraps itself up in is close to none, praising it becomes easy to do. However, if you've ever been involved in any relationship, where you and the party in question were mutually in it for sexual gratification, then what Scum's Wish tries to depict gradually gets more juvenile and diluted with each passing episode. Anyone of the bottled sexual/sensual encounters it indulges in can be believable on its own, but when meshed together to the degree in which every single character in immediate circles in the show is involved in a daisy chain of intimate depravity, it becomes wholly unrealistic. Almost approaching the point of midday soap opera levels of contrived. This is sensationalized TV drama 101; the quintessential reason for why the phrase "sex sells" remain relevant for mainstay media.
Simply put, Scum's Wish is an animated version of your typical live-action teen/young adult drama TV show.
Now, before we go on any further, let's make this clear, teen/young adult drama shows themselves aren't inherently devoid of substance. There are live-action TV shows like Friday Night Lights and My So-Called Life, and even animated titles such as Nana that receive widespread critical acclaim for the same kind of things depicted in Scum's Wish. But instead of sensationalizing the subject matter for the sake of capturing audience attention, those shows decide to represent the relationships of the characters in naturalistic ways. The key takeaway here is that those shows did NOT rely on sensationalizing its content. That's the difference between media that use sex in an exploitative manner, and those that incorporate it as just another facet of life in the narrative at hand. Having relatable scenarios don't amount to much if it's unrealistically presented in the confines of the story. The show takes itself seriously, but the situations themselves are vapid at best.
And that isn't even to say that theatrically sensationalized programming doesn't have its place in storytelling media either.
There's no shortage of TV shows that use sensationalism to its advantage; such is the case with TV series like Shameless. A show that purposefully acknowledges the fact that it's all about sex, violence, drugs, and mayhem. And if the namesake didn't already make that clear enough, it "shamelessly" uses these aspects to tell its story. But that's the difference between something that's purposely sleazy like Shameless and the likes of Scum's Wish. One show is self-aware of its overblown content while the other operates with an aura of conceit and pretension.
But enough with the long-winded preamble, let's discuss what the show is all about. Short answer: yearning for others and sexual depravity. Long answer:
For as long as she could remember, Hanabi "Hana" Ysuraoka has been infatuated with her neighbor, Narumi Kanai. Due to their single parent upbringing, from a young age, they quickly established their sort of family bond with each other, with Narumi becoming a frequent guest in Hanabi's household, to the point where she refers to him as her "big brother." Eventually, this infatuation Hanabi shares for Narumi slowly turn into a romantic interest. And as is the case with any story scenario of this nature, that love goes unnoticed as Narumi has his eyes set on someone else. That someone being the alluring music teacher and predestined rival, Akane Minagawa.
Being the object of affection to any guy that attends Hanabi's high school, Akane has no shortage of men fawning over her at any given time. With her strawberry blonde hair and an aura that just permeates femininity, Narumi became yet another victim piled up on that puppy-love laundry list.
With Akane and Narumi both being teachers, Hanabi's standing as a student further widens the gap between her and the one she loves, as she watches with each interaction they share slowly chipping away at her chances of ever having him to herself. Left in a state of emotional limbo, unable to do anything but watch as he gradually slips further out of reach; it's here, in this place of solitude that she finds out that she's not alone. A pair of eyes fixated with a familiar saddened gaze reflected in them stare at the cheerful adults as well. His name, Mugi Awaya. she may not know him, but that familiar bitter tinge of unrequited love that they mutually share leaves her a small glimmer of reassurance — "I don't have to suffer this alone." And so a pact is made by the pair, one signed with only physical comfort in mind; sexual relief; mutual resentment; a promise of no strings attached; emotions left harbored off from each other for that promised day. Friends with benefits with only one intent in mind, to eventually gain the affection of the person they truly yearn for.
A tragic, bittersweet, ill-fated romance. A setup that could take so many avenues of exploration and be successful at all of them if done right. It doesn't have to do much, just simply show the consequence of that kind of entangled emotional dependence as it affects the characters involved. Anything that toxic and shortsighted is bound to cause psychological scarring to anyone that participates. A dangerous game that some of us may have personally felt the backlash for at some point in our lives, after foolishly thinking that because "it's me, I know better." That somehow that meant the consequence wouldn't apply to us. A foolhardy belief that we could handle it where others weren't capable.
A continuous physical/sexual dependence on others will always come with a steep price of admission, whether it's immediately realized or comes on later in life during a silent night laying in bed, as thoughts of it creep in, festering in your idle mind. The foolishness of our now bruised ego, as we reflect on the stupid decisions of our past selves. Hubris in its purest form, with humility being the bitter pill we're made to swallow.
And to the show's credit, it does a good enough job depicting that inevitability. The problem is that it doesn't just stop there, as it decides to go the whole nine yards, and then some. Instead of just settling with a believable depiction to carry this core message, Scum's Wish is too greedy to call it quits. It doesn't just want to depict that scenario; it wants to portray everything under the sun, exhausting every possible love/lust situation imaginable in an attempt to make every possible outcome into an attention-seeking circus act of sexual decadents. And it's because of this, what once started out as a reasonably believable scenario, has now been turned into a ludicrously overblown orgy fest.
Without getting into specific names or details, I'm going to describe the general plotting of this show. And no, I'm not exaggerating here, this is what truly happens:
Person A wants to be with person B, but person B wants to be with person C, and person C only desire attention, and person D wants to be with person C but settled for person A, while person E wants to be with person D, and person F wants to be with person A, and person G wants to be with person F, and person H wants to be with anyone who's willing, and person C uses person H, while person D uses person E, while person J and D use each other, and person A uses person F, and person H tries to use person A... and so on and so forth.
And again, this isn't an exaggeration; this is what actually happens when you sit down to map out the plot for each episode. To say this story is insanely contrived would be an understatement. There are shows with fatalism in it that manage to feel more naturally placed together. Any character that's recurring or has a name in this story is actively trying to bone each other.
There is absolutely nothing realistic about this intoxicating nonagonal love-web. And it's this web that actively defeats any victory laps the show achieves with any one of these smaller stories stuck inside it. This show does have genuine character beats and character arcs, but when all that's mired in content that's essentially one big exploitative fuck fest, it's hard to give it any credit whatsoever.
And while a majority of the characters' depicted have very despicable personalities, the show does dedicate a decent amount of time framing their mindset properly so that the audience could understand what makes them tick and why they carry themselves in the way they do. You don't necessarily have to like them, but you do understand how their thought process operates under certain circumstances. This is the definitive attribute it has over its much more cruddy sibling, School Days, where no time or effort was dedicated to any of the main lead's concubines. Scum's Wish, at the very least, gives the illusion that the characters presented are their own person, as with School Days, they were all just assembly-line fuck buddies. Not that it isn't the same case with Scum's Wish, in due time, they're all just reduced to sexual encounter cannon fodder as well. But with the time given beforehand to at least probe their psyche and reasoning behind their actions, they could still be considered to be "characters" by the end of it.
And speaking of School Days, not surprising enough, this sleazy brainchild was also penned by the same scriptwriter as well, Makoto Uezu. The man tends to over exaggerate everything he writes, and where that proves successful with his efforts in comedy-centric shows, for dramas, they have the adverse effect, as demonstrated here, in Arslan Senki, Akame ga Kill and of course, everyone's favorite, School Days. Adequately written drama is not the man's forte.
And speaking of dramas that become unintentionally funny or cringy, Scum's Wish is also plagued with random "comedic" cutscenes where the characters go all silly-antics mode for no reason. This is something that usually follows up from an emotionally heavy scene, having the same terrible effect in the way Akame ga Kill randomly cut to comedic hijinks after someone gets brutally murdered. Whether we could pin this similarity as another fault of Uezu is unknown, as this might just be a result of what the manga does than what the adaptation might be responsible for. Either way, it's a lousy attempt at levity that comes across as awkward the first handful of times it's used.
Other than that, the actual art and animation of the show demonstrated some thoughtful consideration in how it was constructed. By incorporating panel strips to make scenes flow together, visually emulating manga image tiles, Scum's Wish was able to convey more information by not only accounting for the character's reaction to a situation but also drawing central focus to certain critical moments as they pertain to the people involved within the frame. This allowed the audience to get a general sense of the mood and mindset that's being conveyed by placing a fixated point of concern with things boxed off within the manga panel technique as it relates to the overall scene. The talented duo behind this thoughtful piece of storytelling was Yukie Oikawa, and Masaomi Andou, who's past collaborative efforts together created the technical wizardry demonstrated in Gakkougurashi, where they both made their best Satoshi Kon impression.
Capitalizing off that, the art department showed a keen eye for color placement as well, with cool and warm colors striking a delicate balance, bringing with it visual chemistry on screen. Nothing overpowers the other unless it's done to insinuate a particular mood. An example of which is when they purposely chose to plunge the entire palette in monochromatic blues and dark purples to help give a feeling of isolation, only to use that same coloring technique with soft touches and color highlights to be used for times of intimacy. It's this firm grasp the creators have over color theory that allows for selective color choices to serve dual purposes under the right guidance.
They also used splodges of ink and watercolor paint during cutscenes to represent a myriad of emotions and ideas, like lustful desire and deflowerment. While done with no subtlety whatsoever, it was still a nice touch. And even when everything was more than likely digitally colored in, they didn't use that for shorthand around adding personal touches, often giving things soft pastel-like textures and occasional color penciled in still shots placed throughout for good measure. Even the character designs are an excellent standout, having anatomically believable body postures and models that help the viewer buy into their placement as people within the story.
With sharp edits used to juxtapose certain situations and letterboxing being applied to convey certain pivotal moments, every idea here is given careful consideration. Yukie Oikawa's acquired abilities from their early work on Noir up to now has made this a show with a steady hand for cinematics, even if on a smaller, simpler scale. And to be honest with you, this overall care given for its presentation might be the most significant saving grace for this show. Without it, the show's gimmicky content would be way more apparent than it is now.
Well, at least for everything within the show, the opening and ending songs, however, couldn't be any more ridiculous had it tried. Starting off with a goofy blaring vocal performance and a flurry of rose petals, the imagery and song throughout is just a tad bit on the overblown side. Especially when it hammers home symbology that feels extremely tacky in comparison to what they did in the show. But to its credit, the tune wasn't bad on the ears if you just let it play out. As bad as it may have gotten at times, it doesn't come close to touching the ending theme's issues.
The ending song visuals are so blatant and try-hard that they actively make me cringe. It reminded me of Zayn's "Pillowtalk" music video, which is never a good thing since that was basically someone screaming:
"Get it bro? The FLOWERS represent VAGINAS and WOMEN'S WOMBS..., and like SEX, ain't I clever fam?!" — like no, just no, stop. You're embarrassing yourself and society.
It's the kind of imagery a 15-year-old going through their "emo phase" would create, as they wear their Sid Vicious necklace and blast Linkin Park and Pierce the Veil in youthful revolt. By using a mixture of kaleidoscopic visuals to create phallic images, the whole thing aims for contemporary sex appeal along the lines of an FKA Twigs or Beyoncé music video but ends up falling incredibly short. Taking on the appearance of a former Nickelodeon child star trying desperately to break free of their kiddie image by being super racy and raunchy.
Having "mature themes" and being "maturely handled" aren't the same thing. An applicable distinction whenever the show crosses the line thinking they're one in the same. And one that's needed when addressing the other pending issue the show can't shake; the character's awareness of each other.
The characters all have this uncanny ability to not only know the inner-workings of their own thought process but also that of everyone around them as well, like if they were all psychology majors. The internal reflection was appreciated, but knowing the mindset and framework of everyone else was a bit ridiculous. Realistically speaking, there should only be two characters in the entire show with that kind of mental capacity.
I've been in similar situations, acting on sexual impulse, but was I fully aware of my decisions to the point of self-reflection? No, because I was horny, not some man musing about life and his choices. This anime treats teens like adults. The phrase "young, dumb and full of cum" isn't just passed around to describe youth for shits and giggles. It's an expression born from the fact that during that turbulent time of change in your life, teenagers are shortsighted and driven by impulse. You don't start thinking with your prefrontal cortex, the rational part of your brain until you've hit your early to mid-20s.
Whenever the characters experience emotional woes regarding their actions, that's natural, and again, commendable for the show for trying to depict that. But it's the moment they all become Dr. Phil that it loses touch with itself and reality.
And I think I've danced around this long enough.
I'm trying my best not to state the obvious here, but fuck it, time to state the ugly truth of the matter. If your closest thing to intimacy is the love you received from your family, with little to no experience in an actual relationship, then what Scum's Wish depicts may come across more realistic to you than what is actually true. If you only watch anime and haven't ventured out to other mediums, then Scum's Wish offerings may also seem more novel than what it is. However, if sexual relationships, especially in the brand of "fuck buddies" that this title plays with, are something you've had some passing experience with. Or hell, if you've seen/read enough other media centering around the subject, then chances are, what Scum's Wish offers to you may be nothing more than animated sleaze.
This anime's value could easily sway in either direction given the experience of the viewer that looks at it. As such, it's a show that's bound to cause contention among those that adore it and others that mock it. Of course, all of this doesn't even matter if you just want to be entertained, because if that's the case, there's nothing here worth reading that would dissuade you in the slightest. But if for some reason, you happen to fall into that smaller collective that dissects and discuss the content they watch, this show would be met with coin toss results.
Your level of acceptance for what the show depicts depends entirely on your tolerance or love for certain narrative decisions. As for me, I don't see any reason to get up in arms about it. If you see it for what it is, there's no reason to get upset.
Scum's Wish lives in a vacuum. Real life is never so perfectly contrived. So instead of focusing on what it mirrors from societal norms, what should be looked at is what it does within the confines of its narrative. And when seen for what it is and not what outside influence it is not, the answer derived is pretty clear; Scum's Wish in its rudimentary form is quite literally animated smut. Meaningful at times but smut nonetheless. That age-old adage "sex sells" that's expressed by everyone, from your critics to your everyday viewer, isn't one to easily shake off. It's a commonly known truth for a reason. Sex in and of itself is not a bad topic to center around. It's a natural act we partake in. The issue is when sex is reduced to nothing more than a meal ticket to get audiences through the front door. At that point, any kind of message the show may have had becomes null and void.
In the end, what saved me from entirely dismissing Scum's Wish was the overall care given for its presentation, the extra time dedicated to at least exploring the characters involved, and the fact that content of this perverse nature is easily digestible on a basic entertainment level. As far as anything content-wise is concerned, it falls incredibly short of any meaningful passages in its narrative, save for the individual pockets of occurrences that get drowned out in all the clutter. When everything is said and done, Scum's Wish is a pretty porcelain vase; something beautiful to look at for awhile but when peered into, just turns out to be a hollow shell on the inside.
ZephSilver
Without that attribute, an exhausted catalog of literary knowledge and understanding of narrative tools is rendered almost pointless. Being book smart amounts to nothing without practical experience, or at the very least, first-hand encounters. Think of it this way, knowing about an archetype or trope is only as valuable as understanding what worldly influence caused it to exist, to begin with. Anyone can comprehend a creator's intent all day, but without an inkling of relation to it, all diegetic information could only be taken for what it is at face value.
Now, with that in mind, it's time to take a quick litmus test; ladies and gentlemen, Kuzu no Honkai (Scum's Wish) is average.
Quickly, what was your initial thought after reading that statement? Did you think that was an outlandish claim to make? That Scum's Wish is far from average and that the claim made was purposefully contrarian or, for the lack of a better word, attention-seeking? How can an anime that explore sexual decadents with such unfiltered restraint be considered "average" by any means? Most relationship anime don't even get past first base, so how can that claim be justified?
If you've already come to a similar conclusion regarding Scum's Wish before reading my statement, bear with me, as for everyone else that possibly rattled off something similar to the aforementioned thought process, time to explain why.
One Tree Hill, Gossip Girl, The O.C, Dawson's Creek, 90210, Pretty Little Liars, Gilmore Girls; what do these live-action TV shows have in common? Well, for one, they're centered around teens or young adults dealing with relationship drama in very exaggerated ways. And secondly, and perhaps more important as well, they're usually understood by most astute viewers to be conventional television programming. No critical thinker or demanding viewer worth their salt is singing high praises about these shows. The reason why is pretty simple, apart from being well-cultured in several different mediums that is. The discernment for shows of this ilk ties back to that essential requirement I mentioned: having hands-on experience.
If your firsthand encounter with the drama Scum's Wish wraps itself up in is close to none, praising it becomes easy to do. However, if you've ever been involved in any relationship, where you and the party in question were mutually in it for sexual gratification, then what Scum's Wish tries to depict gradually gets more juvenile and diluted with each passing episode. Anyone of the bottled sexual/sensual encounters it indulges in can be believable on its own, but when meshed together to the degree in which every single character in immediate circles in the show is involved in a daisy chain of intimate depravity, it becomes wholly unrealistic. Almost approaching the point of midday soap opera levels of contrived. This is sensationalized TV drama 101; the quintessential reason for why the phrase "sex sells" remain relevant for mainstay media.
Simply put, Scum's Wish is an animated version of your typical live-action teen/young adult drama TV show.
Now, before we go on any further, let's make this clear, teen/young adult drama shows themselves aren't inherently devoid of substance. There are live-action TV shows like Friday Night Lights and My So-Called Life, and even animated titles such as Nana that receive widespread critical acclaim for the same kind of things depicted in Scum's Wish. But instead of sensationalizing the subject matter for the sake of capturing audience attention, those shows decide to represent the relationships of the characters in naturalistic ways. The key takeaway here is that those shows did NOT rely on sensationalizing its content. That's the difference between media that use sex in an exploitative manner, and those that incorporate it as just another facet of life in the narrative at hand. Having relatable scenarios don't amount to much if it's unrealistically presented in the confines of the story. The show takes itself seriously, but the situations themselves are vapid at best.
And that isn't even to say that theatrically sensationalized programming doesn't have its place in storytelling media either.
There's no shortage of TV shows that use sensationalism to its advantage; such is the case with TV series like Shameless. A show that purposefully acknowledges the fact that it's all about sex, violence, drugs, and mayhem. And if the namesake didn't already make that clear enough, it "shamelessly" uses these aspects to tell its story. But that's the difference between something that's purposely sleazy like Shameless and the likes of Scum's Wish. One show is self-aware of its overblown content while the other operates with an aura of conceit and pretension.
But enough with the long-winded preamble, let's discuss what the show is all about. Short answer: yearning for others and sexual depravity. Long answer:
For as long as she could remember, Hanabi "Hana" Ysuraoka has been infatuated with her neighbor, Narumi Kanai. Due to their single parent upbringing, from a young age, they quickly established their sort of family bond with each other, with Narumi becoming a frequent guest in Hanabi's household, to the point where she refers to him as her "big brother." Eventually, this infatuation Hanabi shares for Narumi slowly turn into a romantic interest. And as is the case with any story scenario of this nature, that love goes unnoticed as Narumi has his eyes set on someone else. That someone being the alluring music teacher and predestined rival, Akane Minagawa.
Being the object of affection to any guy that attends Hanabi's high school, Akane has no shortage of men fawning over her at any given time. With her strawberry blonde hair and an aura that just permeates femininity, Narumi became yet another victim piled up on that puppy-love laundry list.
With Akane and Narumi both being teachers, Hanabi's standing as a student further widens the gap between her and the one she loves, as she watches with each interaction they share slowly chipping away at her chances of ever having him to herself. Left in a state of emotional limbo, unable to do anything but watch as he gradually slips further out of reach; it's here, in this place of solitude that she finds out that she's not alone. A pair of eyes fixated with a familiar saddened gaze reflected in them stare at the cheerful adults as well. His name, Mugi Awaya. she may not know him, but that familiar bitter tinge of unrequited love that they mutually share leaves her a small glimmer of reassurance — "I don't have to suffer this alone." And so a pact is made by the pair, one signed with only physical comfort in mind; sexual relief; mutual resentment; a promise of no strings attached; emotions left harbored off from each other for that promised day. Friends with benefits with only one intent in mind, to eventually gain the affection of the person they truly yearn for.
A tragic, bittersweet, ill-fated romance. A setup that could take so many avenues of exploration and be successful at all of them if done right. It doesn't have to do much, just simply show the consequence of that kind of entangled emotional dependence as it affects the characters involved. Anything that toxic and shortsighted is bound to cause psychological scarring to anyone that participates. A dangerous game that some of us may have personally felt the backlash for at some point in our lives, after foolishly thinking that because "it's me, I know better." That somehow that meant the consequence wouldn't apply to us. A foolhardy belief that we could handle it where others weren't capable.
A continuous physical/sexual dependence on others will always come with a steep price of admission, whether it's immediately realized or comes on later in life during a silent night laying in bed, as thoughts of it creep in, festering in your idle mind. The foolishness of our now bruised ego, as we reflect on the stupid decisions of our past selves. Hubris in its purest form, with humility being the bitter pill we're made to swallow.
And to the show's credit, it does a good enough job depicting that inevitability. The problem is that it doesn't just stop there, as it decides to go the whole nine yards, and then some. Instead of just settling with a believable depiction to carry this core message, Scum's Wish is too greedy to call it quits. It doesn't just want to depict that scenario; it wants to portray everything under the sun, exhausting every possible love/lust situation imaginable in an attempt to make every possible outcome into an attention-seeking circus act of sexual decadents. And it's because of this, what once started out as a reasonably believable scenario, has now been turned into a ludicrously overblown orgy fest.
Without getting into specific names or details, I'm going to describe the general plotting of this show. And no, I'm not exaggerating here, this is what truly happens:
Person A wants to be with person B, but person B wants to be with person C, and person C only desire attention, and person D wants to be with person C but settled for person A, while person E wants to be with person D, and person F wants to be with person A, and person G wants to be with person F, and person H wants to be with anyone who's willing, and person C uses person H, while person D uses person E, while person J and D use each other, and person A uses person F, and person H tries to use person A... and so on and so forth.
And again, this isn't an exaggeration; this is what actually happens when you sit down to map out the plot for each episode. To say this story is insanely contrived would be an understatement. There are shows with fatalism in it that manage to feel more naturally placed together. Any character that's recurring or has a name in this story is actively trying to bone each other.
There is absolutely nothing realistic about this intoxicating nonagonal love-web. And it's this web that actively defeats any victory laps the show achieves with any one of these smaller stories stuck inside it. This show does have genuine character beats and character arcs, but when all that's mired in content that's essentially one big exploitative fuck fest, it's hard to give it any credit whatsoever.
And while a majority of the characters' depicted have very despicable personalities, the show does dedicate a decent amount of time framing their mindset properly so that the audience could understand what makes them tick and why they carry themselves in the way they do. You don't necessarily have to like them, but you do understand how their thought process operates under certain circumstances. This is the definitive attribute it has over its much more cruddy sibling, School Days, where no time or effort was dedicated to any of the main lead's concubines. Scum's Wish, at the very least, gives the illusion that the characters presented are their own person, as with School Days, they were all just assembly-line fuck buddies. Not that it isn't the same case with Scum's Wish, in due time, they're all just reduced to sexual encounter cannon fodder as well. But with the time given beforehand to at least probe their psyche and reasoning behind their actions, they could still be considered to be "characters" by the end of it.
And speaking of School Days, not surprising enough, this sleazy brainchild was also penned by the same scriptwriter as well, Makoto Uezu. The man tends to over exaggerate everything he writes, and where that proves successful with his efforts in comedy-centric shows, for dramas, they have the adverse effect, as demonstrated here, in Arslan Senki, Akame ga Kill and of course, everyone's favorite, School Days. Adequately written drama is not the man's forte.
And speaking of dramas that become unintentionally funny or cringy, Scum's Wish is also plagued with random "comedic" cutscenes where the characters go all silly-antics mode for no reason. This is something that usually follows up from an emotionally heavy scene, having the same terrible effect in the way Akame ga Kill randomly cut to comedic hijinks after someone gets brutally murdered. Whether we could pin this similarity as another fault of Uezu is unknown, as this might just be a result of what the manga does than what the adaptation might be responsible for. Either way, it's a lousy attempt at levity that comes across as awkward the first handful of times it's used.
Other than that, the actual art and animation of the show demonstrated some thoughtful consideration in how it was constructed. By incorporating panel strips to make scenes flow together, visually emulating manga image tiles, Scum's Wish was able to convey more information by not only accounting for the character's reaction to a situation but also drawing central focus to certain critical moments as they pertain to the people involved within the frame. This allowed the audience to get a general sense of the mood and mindset that's being conveyed by placing a fixated point of concern with things boxed off within the manga panel technique as it relates to the overall scene. The talented duo behind this thoughtful piece of storytelling was Yukie Oikawa, and Masaomi Andou, who's past collaborative efforts together created the technical wizardry demonstrated in Gakkougurashi, where they both made their best Satoshi Kon impression.
Capitalizing off that, the art department showed a keen eye for color placement as well, with cool and warm colors striking a delicate balance, bringing with it visual chemistry on screen. Nothing overpowers the other unless it's done to insinuate a particular mood. An example of which is when they purposely chose to plunge the entire palette in monochromatic blues and dark purples to help give a feeling of isolation, only to use that same coloring technique with soft touches and color highlights to be used for times of intimacy. It's this firm grasp the creators have over color theory that allows for selective color choices to serve dual purposes under the right guidance.
They also used splodges of ink and watercolor paint during cutscenes to represent a myriad of emotions and ideas, like lustful desire and deflowerment. While done with no subtlety whatsoever, it was still a nice touch. And even when everything was more than likely digitally colored in, they didn't use that for shorthand around adding personal touches, often giving things soft pastel-like textures and occasional color penciled in still shots placed throughout for good measure. Even the character designs are an excellent standout, having anatomically believable body postures and models that help the viewer buy into their placement as people within the story.
With sharp edits used to juxtapose certain situations and letterboxing being applied to convey certain pivotal moments, every idea here is given careful consideration. Yukie Oikawa's acquired abilities from their early work on Noir up to now has made this a show with a steady hand for cinematics, even if on a smaller, simpler scale. And to be honest with you, this overall care given for its presentation might be the most significant saving grace for this show. Without it, the show's gimmicky content would be way more apparent than it is now.
Well, at least for everything within the show, the opening and ending songs, however, couldn't be any more ridiculous had it tried. Starting off with a goofy blaring vocal performance and a flurry of rose petals, the imagery and song throughout is just a tad bit on the overblown side. Especially when it hammers home symbology that feels extremely tacky in comparison to what they did in the show. But to its credit, the tune wasn't bad on the ears if you just let it play out. As bad as it may have gotten at times, it doesn't come close to touching the ending theme's issues.
The ending song visuals are so blatant and try-hard that they actively make me cringe. It reminded me of Zayn's "Pillowtalk" music video, which is never a good thing since that was basically someone screaming:
"Get it bro? The FLOWERS represent VAGINAS and WOMEN'S WOMBS..., and like SEX, ain't I clever fam?!" — like no, just no, stop. You're embarrassing yourself and society.
It's the kind of imagery a 15-year-old going through their "emo phase" would create, as they wear their Sid Vicious necklace and blast Linkin Park and Pierce the Veil in youthful revolt. By using a mixture of kaleidoscopic visuals to create phallic images, the whole thing aims for contemporary sex appeal along the lines of an FKA Twigs or Beyoncé music video but ends up falling incredibly short. Taking on the appearance of a former Nickelodeon child star trying desperately to break free of their kiddie image by being super racy and raunchy.
Having "mature themes" and being "maturely handled" aren't the same thing. An applicable distinction whenever the show crosses the line thinking they're one in the same. And one that's needed when addressing the other pending issue the show can't shake; the character's awareness of each other.
The characters all have this uncanny ability to not only know the inner-workings of their own thought process but also that of everyone around them as well, like if they were all psychology majors. The internal reflection was appreciated, but knowing the mindset and framework of everyone else was a bit ridiculous. Realistically speaking, there should only be two characters in the entire show with that kind of mental capacity.
I've been in similar situations, acting on sexual impulse, but was I fully aware of my decisions to the point of self-reflection? No, because I was horny, not some man musing about life and his choices. This anime treats teens like adults. The phrase "young, dumb and full of cum" isn't just passed around to describe youth for shits and giggles. It's an expression born from the fact that during that turbulent time of change in your life, teenagers are shortsighted and driven by impulse. You don't start thinking with your prefrontal cortex, the rational part of your brain until you've hit your early to mid-20s.
Whenever the characters experience emotional woes regarding their actions, that's natural, and again, commendable for the show for trying to depict that. But it's the moment they all become Dr. Phil that it loses touch with itself and reality.
And I think I've danced around this long enough.
I'm trying my best not to state the obvious here, but fuck it, time to state the ugly truth of the matter. If your closest thing to intimacy is the love you received from your family, with little to no experience in an actual relationship, then what Scum's Wish depicts may come across more realistic to you than what is actually true. If you only watch anime and haven't ventured out to other mediums, then Scum's Wish offerings may also seem more novel than what it is. However, if sexual relationships, especially in the brand of "fuck buddies" that this title plays with, are something you've had some passing experience with. Or hell, if you've seen/read enough other media centering around the subject, then chances are, what Scum's Wish offers to you may be nothing more than animated sleaze.
This anime's value could easily sway in either direction given the experience of the viewer that looks at it. As such, it's a show that's bound to cause contention among those that adore it and others that mock it. Of course, all of this doesn't even matter if you just want to be entertained, because if that's the case, there's nothing here worth reading that would dissuade you in the slightest. But if for some reason, you happen to fall into that smaller collective that dissects and discuss the content they watch, this show would be met with coin toss results.
Your level of acceptance for what the show depicts depends entirely on your tolerance or love for certain narrative decisions. As for me, I don't see any reason to get up in arms about it. If you see it for what it is, there's no reason to get upset.
Scum's Wish lives in a vacuum. Real life is never so perfectly contrived. So instead of focusing on what it mirrors from societal norms, what should be looked at is what it does within the confines of its narrative. And when seen for what it is and not what outside influence it is not, the answer derived is pretty clear; Scum's Wish in its rudimentary form is quite literally animated smut. Meaningful at times but smut nonetheless. That age-old adage "sex sells" that's expressed by everyone, from your critics to your everyday viewer, isn't one to easily shake off. It's a commonly known truth for a reason. Sex in and of itself is not a bad topic to center around. It's a natural act we partake in. The issue is when sex is reduced to nothing more than a meal ticket to get audiences through the front door. At that point, any kind of message the show may have had becomes null and void.
In the end, what saved me from entirely dismissing Scum's Wish was the overall care given for its presentation, the extra time dedicated to at least exploring the characters involved, and the fact that content of this perverse nature is easily digestible on a basic entertainment level. As far as anything content-wise is concerned, it falls incredibly short of any meaningful passages in its narrative, save for the individual pockets of occurrences that get drowned out in all the clutter. When everything is said and done, Scum's Wish is a pretty porcelain vase; something beautiful to look at for awhile but when peered into, just turns out to be a hollow shell on the inside.
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